Très Riches Heures du Duc de Berry Totally Explained

Everything about Tr S Riches Heures totally explained

The Très Riches Heures du Duc de Berry or simply the Très Riches Heures (The Very Rich Hours of the Duke of Berry) is a very richly decorated Book of Hours (containing prayers to be said by the lay faithful at each of the canonical hours of the day) commissioned by Jean, Duc de Berry in about 1410. It is probably the most important illuminated manuscript of the 15th century, "le roi des manuscrits enluminés" ("the king of illuminated manuscripts"). The Très Riches Heures consists of 416 pages, of which about half are full page miniatures that are among the high points of International Gothic painting in spite of their small size. There are 300 decorated capital letters. The book was worked on, over a period of nearly a century, in three main campaigns, led by the Limbourg brothers, Barthélemy van Eyck, and Jean Colombe. The book is now Ms. 65 in the Musée Condé, Chantilly, France.

Illuminations

It was natural for a book of hours to put together pictures of the seasons, but the illustrations of months in the Très Riches Heures (see the accompanying illustration showing one of the pages for "January") are exceptional and innovative in their scope, subjects, composition, and artistic and technical execution. Most of them show one of the duke's castles in the background, and are filled with details of the delights and labors of the months, from the Duke's court to his peasants, a counterpart to the prayers of the hours. Each illustration is surmounted with its appropriate hemisphere showing a solar chariot, the signs and degrees of the zodiac, and numbering the days of the month and the martyrological letters for the ecclesiastic lunar calendar.

January: A New Year's banquet, with Jean de Berry at right in a blue robe
February: A typical winter's day. Some peasants warm themselves by the fire, another peasant chops wood, and still another goes to market.
March: Sowing the field. In the background is the Château de Lusignan, a residence of Jean de Berry.
April: A young couple exchanging rings. In the background is the Château de Dourdan.
May: Young nobles riding in a procession. In the background is the Palais de la Cité in Paris.
June: Harvest. In the background is the Hôtel de Nesle.
July: The shearing of the sheep. In the background is the Château de Clain near Poitiers.
August: Nobles going hawking. In the background is the Château d'Étampes.
September: The harvest of the grapes. In the background is the Château de Saumur.
October: Tilling the field. In the background is the Louvre.
November: A peasant feeding the hogs.
December: A wild boar hunt. In the background is the Château de Vincennes.

Artists

It was illuminated (painted) sometime between 1412 and 1416 by the Limbourg brothers for their patron. The writing, illuminated capitals, border decorations, and gilding was most likely executed by other specialists who remain mostly unknown. The Limbourg brothers left the book unfinished and unbound at their, and the Duke's, death in 1416. The work passed to the Duke's cousin, the royal art lover and amateur painter René d'Anjou, who had an unidentified artist, the so-called Master of the Shadows, who was probably Barthélemy van Eyck, work on the book in the 1440s. Forty years later Charles I, Duc de Savoie commissioned Jean Colombe to finish the paintings between 1485 and 1489.
The paintings of Colombe are easy to distinguish, as are those of the Master of the Shadows (Barthélemy d'Eyck). From the original campaign of illustration various hands have been identified, and Pognon gives the following breakdown of the main miniatures in the Calendar:

January: the courtly painter

February:the rustic painter

March:the courtly painter (landscape) and the Master of the Shadows (figures)

April:the courtly painter

May:the courtly painter

June:the rustic painter

July:the rustic painter

August:the courtly painter

September:the rustic painter (landscape)? and the Master of the Shadows (figures)

October:the Master of the Shadows

November:Jean Colombe

December:the Master of the Shadows In addition Pognon identifies the "pious painter" who painted many of the religious scenes later in the book during the initial campaign. The "courtly", "rustic" and "pious" painters would probably equate to the three Limbourg brothers, or perhaps other artists in their workshop. There are alternative analyses and divisions proposed by other specialists.

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